Scottish artist Sam Spreckley experiments with “surface and immersive sound.” The whole thing is worth a watch, but the first fifteen seconds are magic:
Passed along by one of my students: a former communist film archive in Cluj, Romania becomes a celluloid playground.
David Archibald of the University of Glasgow recently circulated an abstract for a paper I will be giving in March as part of their seminar series. The full abstract and details for the event can be found here.
Leo Enticknap, a Lecturer at Leeds in Visual and Communication Arts, read the abstract on the British Association of Film, Television and Screen Studies email list and wrote the following (italicized portions are excerpts from my abstract):
Last month, the British Library released more than one million images from 17th, 18th, and 19th century books to Flickr commons. They would like the images to circulate widely–and, to this end, have invited the public to “use, remix, and repurpose” them–but they have also invited the public into a kind of collaborative preservative-historiographic relationship. It seems that the library does not know a whole lot about the images that they have scanned. From the press release: Continue reading
The Smithsonian recently made a small portion of its collection available through its new X3D Explorer platform. In a strange invocation of the digital haptic, the organization describes this new form of encounter as “the end of ‘do not touch’.”
You can touch…but you just can’t feel.
About two weeks ago, a fire started at the archive.org scanning center in San Francisco. No one was hurt and, within 48 hours, employees were back at work scanning materials. According to the archive’s blog, they lost hundreds of thousands of dollars worth of cameras and scanning equipment, but most of their data was unaffected: Continue reading
I am happy to announce an exciting series of upcoming events that I have been organizing as part of the 2013 Aberdeen Sound Festival in collaboration with Ross Whyte, a colleague in Music. In September, we will be hosting SCRATCH, a set of workshops and film screenings that will introduce participants to a variety of recycled, found footage, and recycled cinema practices, along with the basics of sound production and recording.